What can we learn (R)existence and Counter from the Piripkura people? Based on this question. The aim is to carry out a film analysis of the documentary Piripkura (2017). A film directed by Mariana Oliva. Renata Terra and Bruno Jorge, taking into account the kaleidoscope of Pierre Clastres (1992). In the book A Sociedade contra o Estado , and by Marshall Sahlins (1972), in Original Affluent Society. The question that guides this work is to understand. Based on the documentary Piripkura, how the existence of these people questions the hegemonic way of life. To this end, we seek to write about what society is against. The State of the original peoples of South America from the perspective of Clastres and Sahlins.
Society Exterminated by the State
Highlighting aspects of Piripkura society that found in the documentary. Thus, making a list of these aspects with remaining elements. Of the stateless society of the piripkuras that contrast with the current development model that puts Machinery and Computer Equipment Manufacturers Email List forms of life at risk of disappearing. As Krenak (2019) points out. The work is divide into three parts: the first deals with the current situation. Of territorial devastation, the “ethnocide” and genocide that the Piripkura people are currently going through. The second part discusses the idea of technique from a decolonial perspective. The third and final part analyzes the multiple encounters that the documentary provides.
The Triumph of Technique
Finally, it is understood that the documentary shows how the Piripkuras, by resisting colonization and their colonizers, present a counter-hegemonic model of life, which opposes the dominant model of exploitation. Keywords: Piripkura, resistance, Brazilian documentary, Indigenous BTOC Database of South America. 1. INTRODUCTION The documentary Piripkura (2017), directed by Mariana Oliva, Renata Terra and Bruno Jorge, impresses with the encounters that this film provides, a meeting of the film and the viewer with the Piripkura people themselves, similar to the meeting of Dona Elizabeth in the film Goat marked for death (1984) [6] , by Eduardo Coutinho. This director makes a documentary in which the plot involves the search for real characters from a production from the 1960s, a time of the military dictatorship.
